Derren Brown Illustration, based on this piece of writing from his new book:
"I tried to picture the bar and barman straight-on, to hear the buzz of the restaurant behind me rather than to one side, to imagine the feel of his meal inside me, his weight on my bones, the faint sensation of comfort following the loosening of shoe leather from across the bridge of my toes as he lowered himself back to the floor.
I wondered whether he had picked a whisky he knew well – I imagined so, as the range was not especially adventurous and he seemed to care about which one he was given – and whether, in that case, he was at that moment imagining the walloping peaty taste he knew he was soon to enjoy.
There was something in the showy ease of the barman and the assured way in which he set the glass upon the counter that had about it a hint of performance, a suggestion of the ‘flair’ that sometimes flamboyantly attends the preparation of cocktails; I presumed that the man was noticing this affectation too, with mild irritation at its pointlessness, and making quiet judgements accordingly.
I did the same, following my own references: a blurry memory of a poster for the film Cocktail, and a repeated film-loop of a chess player planting a knight upon a square and firmly twisting it into place with that same defiance.A woman passed by, having emerged from the ladies’ toilet behind me, and the game ended. The sound of the refilling cistern within was bright and loud, and then abruptly muted as the door bumped closed. The fat man wobbled away from the bar and from me, a little inebriated, and my empathy with his thoughts and sensations was lost under the high ceilings of the wide, noisy lounge.
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